America by Air

Below is a photograph of the recently renovated “America by Air” gallery on the first floor of the National Air and Space Museum in Washington, D.C. It had been at least two years since my last visit to Washington, and given that the Museum was undergoing a substantial and much-needed renovation, I was eager to visit if any portion of the museum was open to the public during my stay. After conducting some research, I discovered that while only certain areas of the museum were currently accessible to the public, a limited number of timed tickets would be distributed daily. Consequently, I made reservations and secured tickets for myself and Kathy.

Here is a brief overview of my personal connection to this museum. Back in 1975, approximately one year prior to the United States’ bicentennial, a news article caught my mother’s attention. It reported the construction of a dedicated national air and space museum, with Mike Collins, a former astronaut, serving as its inaugural director. Among his numerous accomplishments, Collins was the backup pilot for Gemini 7, the pilot of Gemini 10, and the command module pilot for Apollo 11, the historic first attempt to land humans on the moon.

Given my passion for space and aviation, my mother informed me about the museum. Recognizing my enthusiasm, she suggested that I send a letter to Mr. Collins. Despite my initial apprehension, as I believed that ordinary individuals did not correspond with such a prominent figure, my mother persisted, and I reluctantly agreed to write the letter.

She provided me with a general address for the Smithsonian Institution, and to my astonishment, the letter was routed to Mr. Collins or his secretary. Approximately eight weeks later, I returned home from school to discover a nine-by-eleven manila envelope addressed to me from the Smithsonian. Upon opening the envelope, I found a signed photograph of Mr. Collins in his Apollo space suit, accompanied by approximately ten pages of information regarding the museum’s plans. Additionally, there was a handwritten note expressing gratitude for my reaching out and encouraging me to visit the museum after its scheduled opening on July 4, 1976.

Despite my limited financial resources and upbringing as the child of a single, hardworking mother, I harbored a strong desire to visit the museum. However, the obstacles that stood in the way of fulfilling this desire seemed insurmountable. My mother was an ardent advocate for museums and lifelong learning, emphasizing the broadening of one’s horizons through experiential encounters. Consequently, my sister and I had had the privilege of visiting numerous museums in California at a relatively young age.

In the mid-1990s, I was employed by General Electric, where I worked with a group of engineers who shared a common passion for airplanes and aviation. They were somewhat surprised by my ability to contribute substantially to their discussions about aviation, and when I expressed my desire to visit the National Air and Space Museum, they inquired about my lack of a visit. One of them informed me about the affordability of flights to Washington, D.C., which ignited a sense of excitement within me, as it seemed that my dream of visiting the museum was finally within reach. I promptly communicated my intentions to my then-wife, and we proceeded to secure airplane tickets and hotel reservations. 

Upon arriving in Washington, D.C. early in the morning, I had a single destination in mind. I boarded the subway to the Smithsonian metro station and ascended the escalator to street level, arriving at the station in the heart of the National Mall. To my right, the capital building stood tall, while to my left, the Washington Monument, with the Lincoln Memorial visible in the distance, and various Smithsonian museums lined the mall, including the National Air and Space Museum, which I could discern in the background.

Despite the museum not opening for approximately three hours, I began walking briskly towards it. As you can observe from the photograph, the museum boasts expansive glass walls, and upon my arrival, I was greeted with an awe-inspiring display of artifacts. These were the same objects I had been captivated by for years, having encountered them through books and television documentaries.

As I approached the windows of the milestones of flight gallery, I finally had the opportunity to witness with my own eyes the Wright brothers’ flyer, the first heavier-than-air powered aircraft to achieve flight in human history. I also spotted the Apollo 11 command module, which had carried men to the moon, and the X-1 “Glamorous Glennis,” the pioneering aircraft that first broke the sound barrier. The further I progressed along the museum’s glass walls, the more remarkable and captivating the exhibits became.

Enthralled by the tangible presence of these historical artifacts, I felt a profound sense of fulfillment. While this experience may seem peculiar to those who do not hold a deep appreciation for history or the significance of these milestones, my upbringing in an environment that fostered a love for learning and history made this moment truly unforgettable. My heart was filled with emotion as I remembered the words of my mother whenever a something I had long desired came to pass “There’s your dream out now.” She later informed me that she became quite emotional when I was speaking to her on the phone later that day.. As for me, I endeavored to maintain my composure. The moment was both emotionally charged and filled with joy.

Since my initial visit, I have returned to the museum numerous times. Shortly after my first visit, I fulfilled another dream and brought my mother to Washington, D.C., for approximately ten days. We visited the museum together, and she thoroughly enjoyed it, as she did everything we encountered in Washington. She passed away in 2020, and while I still miss her presence in my life, I carry on her the insatiable thirst for knowledge and strive to transmit this passion to my extended family.

On the day this photograph was captured, I experienced for the first time in years a newfound perspective on these familiar galleries. The antiquated exhibits that once explained the artifacts had been replaced by contemporary, interactive displays. Furthermore, the lighting had been significantly enhanced, making the entire space even more captivating, even for an ardent enthusiast like myself.

Miss Judy

Here is a Lensbaby Sweet 22 image of a P-51 Mustang located at the Yanks air museum in Chino, California.  I acquired this lens when Lensbaby first offered it at a substantial discount. The lens exhibits a small area of sharp focus surrounded by well-rendered blur. I am still exploring the optimal usage of this lens. I recently discovered that the lens can be tilted to relocate the sweet spot within the captured area. 

Wild Horses - The Mustang

This particular P-51 Mustang has been in the Chino California Planes of Fame Museum's collection for several decades. I remember seeing it in the mid 1990's. They seem to take very good care of it as it still flys quite regularly. My close up view of the aircraft reveals her glossy and smooth appearance.

One of the truly wonderful things about being newly retired is that I now have the long dreamed of freedom to visit these museums during the work week and avoid them during the weekends. This means I am typically visiting during slow times and I don't run the risk of getting in the way of other visitors and vice versa. I just setup my tripod and quietly take my shots. As usual I draw the attention of the museum docents who are curious about what I do with the photos I take. Not many visitors seem to show up with tripods and professional cameras. When I show them examples of the aviation photos on my blog they show a little sign of recognition but don't say much other than "Looks like you "Photoshopped" that photo". The truth is while I once used Photoshop extensively, I rarely open the application these days. I ingest and catalog the photos using Adobe Lightroom and use Luminar Neo to merge my exposures into one HDR image that I then occasionally lightly post process them back in Lightroom.

Staggering into Annual Inspection

One of the unique things about the Yanks Air Museum is that several of their historic aircraft are still flying on a regular basis. This of course means that they must be regularly inspected and certified as safe to fly. During my recent tour I came across a few aircraft that were currently undergoing their annual inspections. This takes the form of a mandatory, comprehensive maintenance check performed every 12 months. It's designed to ensure the aircraft remains safe and deemed airworthy for continued operation. 

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This Beechcraft Model 17 Staggerwing was one such aircraft. Seeing it with its engine cowl removed and all of its cylinders on display was a rare opportunity to sort of pull the curtain back and get a peek behind the scenes so to speak. To my uneducated eye, all tools needed for the inspection were all spread out in front of it and since the inspector had wandered off, I took the opportunity to take a few images. 

The Passion and the Fury

During a recent visit to the Yanks Air Museum in Chino, California, I met the museum’s general manager. Unlike most visitors, I often raise some concern among facility managers due to my unusual equipment and attire. I arrive with a tripod-mounted camera, an external monitor, sunshade, and sometimes a rolling dolly. I wear a camera vest with two additional cameras and occasionally also use a camera dolly along with a rolling camera case with extra lenses and batteries. This makes me stand out quite a bit.

Museum managers often approach me to discuss my plans for using the photos I intend to take, as many museums want to control or be aware of photo or video sales on their property.

I explained my photography process and preference for HDR photography to the manager. I explained that I aim to capture highly detailed photos while controlling the depth of field. Taking nine images with a tripod allows me to achieve this. I showed her some overexposed shots on my monitor and she was able to discern significant detail in the FJ-1 Fury aircraft.

Though polite and welcoming, she made it clear that the museum wouldn’t want me to sell the photos I take there. I agreed. I showed her some aircraft photos I’ve previously taken, including those from the San Diego Air Museum, the USS Midway, and Gillespie Field. She showed interest in possibly using some of my photos to promote the museum. I emailed her a few images from the Yanks Museum, but I haven’t yet received a response. I suspect my email may have inadvertently gone to her junk folder.

I feel it’s my passion for photography that compels me to carry around so much camera gear. Today, it led me to the FJ-1 Fury aircraft at the Yanks Air Museum.

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The 1946 FJ-1 Fury was the US Navy’s first operational jet aircraft. Only 33 were ever built, and only 2 survive today. Its black paint makes it ideal for HDR photography. A single exposure would likely make the black paint appear featureless. I’ve included a photo showing how much detail I captured in the black paint using HDR

A6 Intruder - Classic Design, Might Need Some Work

This is not the first time I have seen this Navy A6 Intruder aircraft. About 15 years ago, I was wandering around the Yanks Air Museum's "boneyard" in Chino California and came across two A6's . I photographed them then and posted them to my blog and my flickr photo stream.  This past March, I visited again and was somewhat surprised to find these same two aircraft still sitting there waiting their turn to be restored. My uninformed guess is that they will still be there 15 years from now. Aircraft restoration is a long process once it gets started and these aircraft show no signs that any restoration is in their near future…

San Diego Air and Space Museum

San Diego has had something for more than 70 years that I have often wished Los Angeles had. A dedicated and comprehensive Air and Space Museum. San Diego has been the site of significant aviation milestones and events. In addition to being considered the home of naval aviation, it also was home to Ryan aircraft which was probably best known for helping to design and build the Spirit of St. Louis for Charles Lindberg's solo trans-Atlantic flight. 

Los Angeles also has a long history of participation in aviation and space flight. Lockheed's Skunk Works developed the first jet fighter, the first stealth aircraft, and the fastest manned aircraft. The North American company developed the Apollo command and service modules that took the first men to the moon as well as the space shuttle. McDonnell Douglas both designed and built passenger airliners in Los Angeles County for decades. 

Despite this impressive history, Los Angeles has never had a comprehensive air and space museum. There was once a small museum, but the exhibits were merged into a much larger science center. It seems the desire for a dedicated museum does not currently exist. The California Science Center is building a museum extension to house its collection of aircraft and spacecraft including the Space Shuttle Endeavour. It will probably be many years until this extension will open to the public.

For this reason and others, I love visiting the San Diego Museum. The entrance features two aircraft. The Convair F2Y Sea Dart and the A12 Mach 3+ spy plane. There are many additional aircraft and spacecraft exhibits inside. I have added several photos of these below. 

 

 

Above the Flight Deck

Kathy and I were recently in San Diego and once again visited the USS Midway Aircraft Carrier Museum. As always, she was patient with me and willingly waited for me while I walked around the Museum's enormous flight deck taking photos. It was a beautiful day featuring the scattered clouds and moderate temperatures common to the San Diego coastline. I have previously photographed the aircraft on Midway’s flight deck, so I was deliberately trying to identify a new way to capture them. I thought a new viewpoint might work. As usual, I was using my tripod and taking ten exposures for each (soon to be HDR) image. The use of a tripod to create HDR images was once an absolute requirement because it allowed you to capture those exposures without moving the camera at all. This ensured the post processing software could successfully merge these images into a single HDR image without generating unwanted visual artifacts. What I found was that the software has evolved over the years and has become much more powerful and capable, enabling me to try something new. I set a five second shutter timer on my tripod mounted camera and held it over my head, tenuously raising nearly $8000 of camera equipment about fourteen feet above the flight deck. Not being able to look through the viewfinder, I was trying to align my camera lens in the general direction of what I wanted to capture and to hold the tripod steady, which was exceedingly difficult. I failed several times but succeeded more times than not. I got a few stares from other museum visitors and volunteers, but I ignored that and pressed on, hoping to capture something good.

The photos below are the results.

I Got a Right to Sing the Blues

The first time I saw the US Navy's flight demonstration team, the Blue Angels, I was 5 years old. At the time the team was flying the powerful McDonnell Douglas F-4 Phantom II fighter aircraft which were aptly nicknamed the Rhino. These huge twin-engine jets were unbelievably loud especially when all 6 of them fired up their engines simultaneously. The ground actually started shaking. All of this visual and aural stimulation was way too intense for a 5-year-old so after very little thought, I decided screaming and crying my eyes out would be an appropriate response. On the day this photo was taken at the Yanks air museum in Chino, California I was quite surprised to find this FA-18 aircraft wearing the Blue Angel livery. Unbidden, my mind flashed back to my first encounter with the blues. However, this time I was able to maintain my composure and just framed up my shot. I'm glad my response was a calm one. My wife would never have been able to scoop me up and walk me outside. It had probably been a decade since I had visited this museum and many things have changed including the fact that their aircraft collection has grown significantly.

More than Zero

The photo below is of the world’s only authentic flying A6M5 Zero fighter.

Designed and built by Mitsubishi in Japan during World War II, it dominated the skies anywhere it flew. It dispatched most American built fighters it encountered in battle brutally and quickly. So much so, that the United States began a deliberate effort to develop aircraft and tactics that could blunt this highly effective weapon. At the start of the war, the American P-39 was one of the best aircraft it had to deal with the threat, and it was no match. Japanese Zero pilots quickly learned that the P-39 could not climb with them and used their aircraft’s superior high-altitude performance to their advantage in defeating the P-39 on many occasions.

The secret of the Zero's stellar performance was due in part to its well trained and battle proven pilots as well as it’s lightweight construction. Unlike other fighters of the period, it completely lacked armor protection for the pilot and the fuel tanks. a fact that US fighter pilots found out when they fired incendiary bullets at the zero causing it to quicky catch fire and blow up in midair. 

Many years ago, as a volunteer docent at the Planes of Fame Museum in Chino, California, I had the great honor of showing a group of former Japanese Zero pilots this very aircraft. I would guess most of them were in their 80’s at the time and had traveled to the museum specifically to see the aircraft. It was my understanding that for most of them, this was their first opportunity to see a Zero since the end of the war. Upon entering the hanger which housed the aircraft, without exception they all began to cry and tried to hide their emotional response from one another by wandering off between the other aircraft in the hanger until they could compose themselves. It was a very emotional day. I always find it heartbreaking to see an old person cry. I admit I had to compose myself as well. After a few minutes they all gathered around the aircraft once more and suddenly began shouting a salute to the aircraft in unison. When they were informed that the aircraft would be flown for them that day there were more tears and many more during the Zero's triumphant return to the skies overhead.

I would imagine with so many years now having gone by since that emotional day, most if not all these men have passed away and most probably there are no longer any living memories of flying the Zero during World War II.

This specific aircraft was captured by the US Marines on June 18, 1944. It was returned to San Diego where it was evaluated, and test flown by many pilots including Charles A Lindberg. Eventually it was declared surplus after the war and was scheduled to be destroyed but the Museum acquired it in 1950 and restored it to flight status in 1978.

It has made several good will tours of Japan where it was displayed and flew for huge crowds all over the country, becoming the first Zero to do so since the end of the war.